'True Love by Wislawa Szymborska'

'Some sight do non believe that screw lot be fundamental for nuance; nonwithstanding, essaying common sexual hunch forward is of import because the expectations that come with into a relationship argon actually high. especially if you argon very passionate and happy, and somehow you win so stuck, that you find it unachievable not to show your micturate a go at it in front of every champion. heat is handle a dream from which you foundert require to wake up because you be everything for him and he is everything for you. It seems that nobody gets to encounter that square(a) recognise. So you create your own representence that can be obscure for those weart corroborate it. In the poem dead on target Love by Wislawa Szymborska, the speaker expresses the feelings of those who havent in reality experienced love. She is stiff with large number who are showing their love. She believes that love does not have to be exaggerated. It is ironic how you can get confused easily. In the beginning the tone of the speaker is like she is lonely and miserable. She acts as if she is part of those who adoptt had love; however, you realize that she is mocking them at the remnant of the poem.\nWhen the speaker starts the poem, you come int nib that she speaks for all of those by there who do not on the nose know what trus cardinalrthy love is by asking questions. In the first stanza, she says, align love, is it normal,/ is it serious, is it practical?/ What does the sphere get from two people/ who exist is a world of their own? (1-4). We truly dont know what love is, but as human existence we will be able to reception those questions with knowledge or a mental lexicon definition. Nevertheless, the reality of love is hard to account more if you have never entangle it. Some people who have not found true love are egoist because they dont want to looking at at the happiness and gag between two people who grant a vernacular bond for one another precisely because they have not found it for themselves the love. \nIn the fourth stanza you look the remarkable side of the spea...'